past1-a

Hooded Crow, 12x10x5”

past2-a

Young Vulture, 10x10x5”

8x8x6′

Fawn in Ferns, 8x7x5”

8×4.5×4.5″

On Blueberry Hill, 8x8x5”

22x7x6″

Hope, 22x4x6”

past6-a

Hiding from the Cat, 10x8x4”

past7-a

Lost at Sea, 22x6x6”

10x10x1″

Bees and Birds, 9x9x1.5”

past9-a

Robin Vista Shelf, 30x10x6”

past10-a

Blackbird Bath, 19x14x9”

past11-a

Amphibians, 6x5x3”

past12-a

Cat Wagon, 12x6x4”

past13-a

Scully’s Boat, 16x9x7”

14x9x6″

Black Cat Papyrus Boat, 14x9x6”

past15-a

Streetcar: The Play(set), Blanche Du Bois, 6” h

past16-a

Streetcar: The Play(set), major players, 6' and 7”

past17-a

Sky Goddess Rolling Sculpture, 18x9x5”

12x6x4″

Moon God on Crescents, 12x9x4”

14x14x3″

J’aime la Nuit, 16x16x4”

past20-a

Moon Mirror with Five Birds, 12x12x3”

past21-a

Grackle’s Looking Glass, 12x12x3"

PAST WORKS:
Limited edition and one of a kind

This is work over time, most of it long gone. Many of these pieces involve a narrative, specific or implied. Sometimes I’ll rework ideas that are still of interest …. my own cats, visiting birds, the moon through the windows at night, when I like to work.

I brought a fawn home once, and a fox slept on the porch, so these images will stay.

Some of the themes are mythological. “Hope” and “Lost at Sea” come from political feelings.

And more recently, “Streetcar, the Play (set)” is based on the moving NY production from London’s Young Vic Theater. A performance is ephemeral, but a play set can revisit, even in a light hearted way.